Produced on Jacquard looms, MESH reinterprets the classic checked textile pattern with both vertical and horizontal lines created by a pre-defined configuration of warp and weft yarns. The towel’s motif – accented with colour details and woven in contrasting bindings – reverses on the backside.

AVAILABLE FOR PURCHASE  → [HERE](https://www.mykilos.com/shop/accessories/mesh-kitchen-towel/)  

Kitchen Towel

Weaving

Cotton (GOTS)

Jacquard Weave

Mesh

This shawl collection was created in close collaboration with small producers in India and 
is made of lovingly produced hand-printed and hand-woven fabrics. All textiles are made 
from organic cotton, merino wool and silk. 

Shawls

Viscose

Single Weave

Handwoven

A textile is housing space »Rhythmus Bauhaus« opens up the sealed surfaces of a classic in architectural modernity. 
It’s composition of horizontal and vertical lines deconstructs the perspectives of a so to speak sacred space:  
“The Masters’ House Muche/Schlemmer”, built by Martin Gropius in 1925. Transferred into a notational system, it’s unique dimensions become sensually readable. 
  
AVAILABLE FOR PURCHASE  → [HERE](https://www.manufactum.de/geschirrtuch-bauhaus-a13930/)  

Eco Cotton

Tencel

Rhythmn

In many disciplines like fashion, film and architecture, the cut defines the montage of an image out of parts. A vision of the body must first be converted into a surface before arising a new. A cut separates the material, which after careful assembly, generates form.

The motive SNIPPET follows this procedure by adapting the gesture of cutting and reassembling individual pieces of fabric into a garment. The graphical pattern consists of torn paper fragments. Thus allowing the white space to define its extensive pattern and to leave the perception of foreground and background undetermined.

Installation

Print

Cotton

Digital Print

Snippet

The Penan are the last nomadic indigenous people living in remote regions of the lush rainforests of Borneo. Sourcing rattan from their forest surroundings, they use the material to produce objects of everyday use. With the great support of the Goethe Institut of Indonesia, we had the opportunity to collaborate with the Malay weaving workshop Tanoti and their Penan partner villages. 

Floor mat

Braiding

Rattan

TESSELLATION – A structural concept that exists both in the analogue and digital context“Tessellation“ is employed for a variety of decorative and functional applications. In this series of textiles, the tiled structure serves as the basis of an investigation into human viewing habits.
Inspired by the blurry vision caused by old stained glass windows, it aims to recreate the same effect applied onto delicate silk to evoke a sense of space and dimension; a poetical glimpse into an abstract outside.


AVAILABLE FOR PURCHASE  → [HERE](http://www.tk.norscodes.com/shop/23)


Wall hanging

Habotai Silk

Tessellation

In 1926, Marcel Breuer created the chair design for the assembly hall of the Bauhaus building in Dessau. In typical Bauhaus manner and indeed characteristic of Breuer’s own style, the folding chairs are constructed from steel pipes. Suspended textiles were used for both seat and backrest.  
  

In addition to educating visitors about Bauhaus’ historical contexts, The Bauhaus Foundation Dessau’s primary responsibility is the maintenance of all historical buildings as part of its title as a UNESCO world cultural heritage site. After the school’s forceful closure in 1932, the teaching rooms were repurposed and redesigned and later badly damaged by bombings during the war. Extensive renovation and reconstruction measures were needed to restore the building. As the central room of the main building, the auditorium is of particular interest and still highly frequented to this day. Restoring and replacing elements from time to time becomes inevitable and so, in 1991, 2004 parts of the chairs’ fabric covers needed to be replaced. 2018 saw the full replacement of all chair textiles. In lieu of original samples of the historical 1926 textiles, samples – themselves from that era and very similar to the textiles originally used – were taken as references to guide the reconstruction. The samples were analysed in a laboratory for textile technology to gather information on the material, yarn twist, colour and density. This then informed the new weave of the subtle black and white textile. 
  
  



Upholstery

Bauhaus Dessau

A thin uneven layer can be found on top of all surfaces, rendering material tactile and visible.The TEXTURE collection translates this sensuality into textile by little yarn loops which create a voluminous relief. Produced by a German weaving mill specialized in upholstery, the weave is durable and made for intense use.

Cotton 

Polyester

Texture

The double-faced jacquard blanket FIELDS interprets the aesthetics of a sewing pattern from garment making. The space-saving arrangement of the pattern pieces creates a seemingly random composition, which after black and white conversion, makes map-like areas appear. By dissolving the contours of the individual parts, the inner pattern merges into void space. Foreground and background become indistinguishable.


AVAILABLE FOR PURCHASE  → [HERE](https://www.mykilos.com/shop/accessories/fields-blanket/)

Blanket

Fields

The installation combines the compulsive desire to spoil a perfect surface with the pleasure of detecting something hidden.
The destructive action of scratching a glossy and opaque surface becomes a constructive tool to reveal a second layer step by step.
In this setting, the visitor becomes an accomplice and directly takes part in the act of vandalism. 


Coated Acryl

Various

Compulsive Desire

Traces of use and destruction are all around us. These colourful blankets document eight common traces of use and interaction, translating them into knitted patterns. 
Invisible actions – scratching, jabbing, denting – are thereby made visible and given due reverence and prominently featured in their new setting. 

Knitting

Wool

Rhombus blanket is an interpretation of an aquarell draft from Gunta Stölzl originally designed in 1926. A set of triangles assembled and puzzled into various shapes defines the geometrical pattern of the blanket. Woven from four contrasting threads the blanket gains from it’s subtle binding details.

AVAILABLE FOR PURCHASE UPON REQUEST → [HERE](mailto:orders@teuberkohlhoff.com)

new wool

ONE SIZE

Rhombus

The geometrical linen collection „KANON“ is a re-creation of an experimental jacquard wallhanging from Gunta Stölzl. The original work was manufactured between 1928/29 at the Bauhaus in Dessau as a decorative wall-piece and is considered as one of the most significant pieces by Stölzl.
Repetitive alterations of small geometrical shapes build a vivid rhythm and create an exciting balance between horizontal and vertical. 
The pattern sequence of “KANON” is constructed as a functional single weave with contrasting colors in weft and warp and made out of 100% organic cotton.

Kitchen linen

Organic Cotton

KANON

Weaving is one of the oldest fabric technics that interlaces two or more sets of yarn.
The WEAVE collection enlarges and illustrates different types of basic weaving structures –  resulting in a set of colourful silk scarfs.

Crepe de Chine – Silk

WEAVE

A shadow is darkness, created by light. Although contradictory by their very nature the “Trace Rug” captures both shadow and light and presents a blurred picture of the outside space onto the inside ground. Softened window traces indicate the barrier between interior and exterior and provoke the sensation of daylight.
The rug is hand-tufted made of 100% New Zealand wool and manufactured in Europe.

AVAILABLE FOR PURCHASE UPON REQUEST → [HERE](mailto:orders@teuberkohlhoff.com)

A shadow is darkness, created by light. Although contradictory by their very nature the “Trace Rug” captures both shadow and light and presents a blurred picture of the outside space onto the inside ground. Softened window traces indicate the barrier between interior and exterior and provoke the sensation of daylight.
The rug is hand-tufted made of 100% New Zealand wool and manufactured in Europe.

You have no items in your shopping cart.